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by Rick Klaw
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The Sincerest Form Of Flattery
I am torn. Not that it's so unusual. I wear many hats. At various times I have been a writer, editor, publisher, promoter,
critic, and bookseller. Often many things at once, changing personas from moment to moment. (Perhaps I am a character in a
Michael Moorcock novel?) As expected, reality appears a bit different from each job.
This time the trouble began at Armadillocon 24. Or more specifically at the Tor party on Saturday night. It was a fairly typical
convention party with free beer and munchies, some interesting conversation. And most importantly for the purposes of this essay,
covers of several upcoming Tor titles. There were several interesting looking releases including a new Jonathan Carroll (and
the re-release of my favorite Carroll Bones of the Moon), Cory Doctorow's first novel, the impressive anthology
The American Fantasy Tradition, and a new Dune prequel by Brian Herbert and Kevin J. Anderson. My initial
response to the Dune book was "WOW. That sure will sell." But as a creator, I hated the idea. There is my dilemma.
What is this tendency to re-hash and re-explore old concepts that were better done by the original creator? Intellectually, things
should move forward. The Conan novels are a fine example. Robert E. Howard's Conan stories are
among some of the finest sword & sorcery fantasies ever written. Fans have been waiting for over 75 years for
someone to write one as well as Howard. Not to knock the writers that
have attempted this monumental task, but it ain't gonna happen. As a
creator, I'd much rather have seen these writers attempt their own works. But as a bookseller... well Conan books
written by others did sell at one time. The Howard Conans still sell wonderfully in used bookstores. (There are no
affordable American versions of the original Conans in print.) And the Dune prequels sell remarkably well. The
Dune franchise as a whole has really seen little drop since the resurgence following the Sci-Fi Channel mini-series. On
the surface, the whole Dune prequel thing may be a different sort of animal all together. Yes, Brian is the son of
Frank. The problem is that the elder Herbert created Dune and the younger's stories are not of the same quality.
This phenomenon of sequels by other writers is certainly not unique to science fiction. There was quite a stink when Alexandra
Ripley wrote a sequel to Gone With the Wind. Hardcore fans felt that if Margaret Mitchell had wanted a sequel to the
book, she would have written one. It's not like she died right away; she just didn't have
anything more to say. Regardless, or perhaps because of the
controversy, Scarlett was a tremendous bestseller. Because of
the buzz and controversy created by Scarlett, sales of GWTW increased as well. You got two bestsellers for the price
of one. There is no doubt that all the prequels to Dune (this will be the fourth) have increased the sales and visibility
of the original series. Let me tell ya, the later books in the original series were all but dead. Now people are even
looking for Heretics of Dune! (Why no one has reprinted the Dune Encyclopedia is beyond me.) As a bookseller, I
appreciate anything that generates sales.
I mentioned Star Trek and Star Wars. Although I would still prefer to see original works, I see a
difference between a media tie-in and sequel to a dead author's work. Both Star Wars and Star Trek were conceived
as collaborative efforts and so they are naturals to be worked on by diverse hands. Yes, I realize that Lucas is the
motivating force [sic] behind Star Wars, but The Empire Strikes Back and Return of the Jedi were written and
directed by others. After Episodes 1 and 2, it might be better for everyone if he sought some help for Episode 3. Properties
such as Dune and Conan were conceived and written by individuals. The newer books are always inferior to the
originals because the new authors cannot look into the minds of the originators and see their intents, no matter how many notes
they left behind. These johnny-come-latelys will always be copies. Often with these sequels/prequels the original subtext is lost.
I will always be torn. Publishers will continue to take the easiest road to make the most money. I really can't
blame 'em. Booksellers will eagerly sell the sequels. If only we lived in a perfect world. A place where the K. W. Jeters
of the world could make a decent living by just writing their own creations. A boy can dream, can't he? | |
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Not content with just being a regular columnist for SF Site, Rick Klaw is also the fiction editor for RevolutionSF. As a freelance editor, former book buyer, managing editor, and bookstore manager, Rick has experience with most aspects of the book business. He has never been involved creatively with a sequel by other hands, but he sure has sold a lot of them. |
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