Ares Express | ||||||||
Ian McDonald | ||||||||
Earthlight, 553 pages | ||||||||
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A review by Rich Horton
The main character is an 8 year old (nearly 9) girl with the beautiful name Sweetness Octave Glorious Honey-Bun Asiim
Engineer 12th. The 8 years of her age are Martian years, making her on the order of 16 Earth years old. She is the daughter of
an Engineer of the huge train Catherine of Tharsis, and she wants nothing more than to inherit her father's place as
Engineer. But in the strict society of the Martian trains, girls don't drive. It is time for her to marry, and soon a marriage is
arranged with an eligible boy of the Stuard clan of another train -- with a stainless steel cookware set waiting for her at her new
home. So, Sweetness impulsively decides to run off in the company of a despised boy of the trackbuilding Waymender clan.
This will lead to her family's disgrace in train society, and as she soon learns, it may lead to her death as well.
Sweetness and Serpio Waymender strike across the desert, aiming for the haunt of a man named Devastation Harx, the
leader of a mail-order religious group that has ensnared the persecuted, handicapped Serpio. Serpio can "see" Sweetness'
secret companion, the spirit of her dead twin that she calls Little Pretty One. But when they find Devastation Harx on his huge
airship, Sweetness learns that she has been betrayed -- Little Pretty One is something quite different than she had known, and
Devastation Harx covets her twin for the power she can give him over the "angels" (AI's) which control the Martian climate, and,
indeed, reality itself.
So Sweetness finds herself again on the run, trying to find Devastation Harx and reclaim her twin and save the world. At the
same time her redoubtable Grandmother Taal has decided that family is more important than the rules of train society, and she
has left the train to look for Sweetness. Add in a group of anarchic performance artists and comedians, a dream artist, a man
who can cross the various alternate realities of Mars, and many more wonderful characters and landscapes, and you have the
enchanting melange that makes up Ares Express.
McDonald plays archly with the idea that this is a "story", as Sweetness keeps telling herself, and occasionally uses this as
license to provide neatly plotted but highly coincidental encounters and rescues for our heroes. And he has great fun with the
idea of using some notion of quantum computing to maintain the "reality" of this glorious "manformed" Mars -- at the same
time this is quite fun but somewhat subversive of the SF basis of the story -- so that it occupies a sometimes uneasy perch
between all-out Fantasy and nominally plausible Science Fiction. But if, at times, this stretches the reader's willing suspension of
disbelief to the point of severe strain, at other times it works to add delight, as with the beautiful trip, late in the book, through
a series of alternate Marses, including of course those of Bradbury and Burroughs and others of the great SF chroniclers of the
Red Planet. This may not be the most serious or the most significant SF novel of the past year, but it just might be the most
fun. I loved it wholeheartedly.
Rich Horton is an eclectic reader in and out of the SF and fantasy genres. He's been reading SF since before the Golden Age (that is, since before he was 13). Born in Naperville, IL, he lives and works (as a Software Engineer for the proverbial Major Aerospace Company) in St. Louis area. He writes a monthly short fiction review column for Locus. Stop by his website at http://www.sff.net/people/richard.horton. |
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