The Disappeared | ||||||||
Kristine Kathryn Rusch | ||||||||
Roc, 374 pages | ||||||||
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A review by Lisa DuMond
If you've ever enjoyed mysteries, cop novels, hard-boiled detective stories, you're going to be a sucker for The Disappeared.
But that's not the only group that's going to be clamouring for copies. Kristine Kathryn Rusch's handling of human-alien
interactions puts a new and very sobering face on extraterrestrial contacts that few authors have thoroughly
explored. Here on Earth, we haven't learned to live together peacefully; what is going to happen when we try to
co-exist with truly alien races? Just whose laws will prevail? Different countries condemn each other's practices
as barbaric and unconscionable already, with every side believing themselves to be on the moral high
ground. Imagine what laws we might encounter in a universe filled with sentient beings? Where is the high ground there?
The Disappeared brings these questions forward with wrenching and terrifying intensity, providing more
than enough conflict to keep the novel moving forward at stampede pace. As powerful as the issues addressed are
though, it is Rusch's characters that keep you reading long after everyone else in the house has fallen
asleep. Good, bad, imperfect beings all, they are impossible to turn away from.
Noelle DeRicci -- tougher than permaplastic, more caustic than Precinct coffee, thoroughly unlikable -- is
honourable, breakable, and tender. Ekaterina Maakestad is a dangerous fugitive on the run, responsible for
numerous injuries and deaths, and she grieves for the unattractive, but gentle fiancé she had to
forsake. Miles Flint wanted nothing more than to make detective in the Moon Sector Police and he's damn good
at his job, but -- suffice it to say there is so much more to Miles.
No matter what side of the law Rusch's character's stand on, it becomes painfully apparent that none is
completely across that line. One of the most intriguing things about the novel is the push and pull of
trying to determine who is in the right in these situations; your brain is going to want to do it, but there
simply are too many factors to weigh. And that is without bringing in the major consideration of punishment by proxy...
The Retrieval Artist novels promise to be a series, and I certainly hope so. It's not often that
a reader can be helplessly caught up in a book for all the right reasons; these rare chances to be
entertained, provoked, and moved should be snapped up whenever they can be. The Disappeared, like all
the best science fiction, achieves a higher purpose: to make us look at the world around us with new
understanding and question the status quo.
In between reviews, articles, and interviews, Lisa DuMond writes science fiction and humour. DARKERS, her latest novel, was published in August 2000 by Hard Shell Word Factory. She has also written for BOOKPAGE and PUBLISHERS WEEKLY. Her articles and short stories are all over the map. You can check out Lisa and her work at her website hikeeba!. |
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