Blood Follows | ||||||||
Steven Erikson | ||||||||
PS Publishing, 90 pages | ||||||||
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A review by William Thompson
Taking place in an extended realm of Malazan, Blood Follows moves backward a bit in time from events in last year's
remarkable Memories of Ice, to the origins of Emancipor Reese; as readers may recall, a character in what is
arguably the author's best and certainly most complex and literary-intentioned novel so far (at some point some critic
will begin to divine the author's use of metaphor and symbolism, even if disguised within the framework of epic military
fantasy -- then again, considering the failure to recognize the same in Matthew Stover's outstanding
Blade of Tyshalle, maybe not). Set within his native home of Lamentable Moll, one of several city-states on the
island of Theft, Moll is a port town built upon ancient barrows, whose mounded remains litter the city, and whose liches
are reputed to haunt the streets. Emancipor Reese is dogged by a sequence of events that has inadvertently led to the
death of every employer he has had, as well as harried by a wife who has born him children he suspects are not his. His
most recent employer, Master Baltro, has joined the nightly victims of a monstrous killer who is stalking the city,
and once again the ill-fated Reese finds himself out of a job, tagged with the sobriquet Mancy the Luckless and
neighbors who avert their gaze. However, as "luck" would have it, he is about to find new employers, visitors who
are singularly unconcerned by his previous employers' past misfortunes.
With Erikson's typical cast of memorable and eccentric characters and localities, the author spins a tale of horror and
mystery that should delight both fans and initiates alike. While considerably more direct and lighthearted, even within
the context of horror and mayhem, than his larger novels, readers of the series will nonetheless immediately recognize
the author's brand of humor and satire, here given a bit more reign to counterbalance the darker motifs which are also
a signature of the author's work. Replete with various subplots and secondary characters, such as the preposterous
Turgold Vise or the marvelous if macabre dolls of the Blackpug sisters ("Every child should know terror..."), the usual
shifting perspectives, and a complement of inept wizards, dockside idlers, mysterious figures and a Soletaken whose
choice of alter egos is perhaps ill-chosen, this story becomes as much a humorous romp as a darker, more serious
account of a serial killer.
One can only pray that perhaps PS Publishing, noted for their limited, signed editions by some of the more notable
authors of fantasy, science and speculative fiction, might consider a second printing, at least of the trade paperback
edition. If not, most readers will have to depend upon borrowing, and no, I am sorry, but I'm not lending mine!
(Note: for those of you interested in the author's mainstream fiction, under his given name, Steve Lundin, a
bibliography of this work is provided for on the back infold of the dustcover.)
William Thompson is a writer of speculative fiction. In addition to his writing, he is pursuing masters degrees in information science as well as history at Indiana University. |
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