| The High House | |||||
| James Stoddard | |||||
| Warner Aspect, 321 pages | |||||
| A review by Victoria Strauss
Fourteen years later, Carter is summoned back. His father has long
been missing; Evenmere needs a Master, and Carter must be tested
to see if he is the one. A group called the Society of Anarchists,
led by Carter's old nemesis the Bobby, has placed the House under
siege. The Society is not merely a group of revolutionaries, but
representatives of the forces of Entropy. Their goal is to destroy
the balance of the universe, of which the High House is, in some
mysterious sense, the prime mover. If its lamps are not lit, suns
go out; if its clocks are not wound, time runs down. Carter is
thrown into a desperate struggle to foil the Anarchists' attacks,
to learn the House's secrets so that he can properly defend it, and
to find his missing father, who has the magical weapons Carter
needs to protect Evenmere and the many strange realities it holds.
In his Author's Note, Stoddard pays tribute to writer and editor
Lin Carter, who did a great deal to revive many of the almost-
forgotten fantasy authors of the 19th and early 20th centuries.
( Ed. Note -- Lin Carter was the editor for the
Ballantine Adult Fantasy series published in the late 60s-early 70s.)
And indeed there's much of the classic fantasy about The High
House, with its formal prose style, amazing adventure, and
heroic characters triumphing over incredible odds. In contrast to
the increasing trend in fantasy to seek authenticity by focusing on
real-world details and topical issues, The High House
unapologetically situates itself entirely outside mundane reality,
plunging the reader fully into an other-world of symbol and legend.
Evenmere is a marvelous creation, a house that contains seemingly
infinite space within itself, enfolding other lands and other
nations, home to personified natural forces and clocks that control
time itself. Its endless variety of architectural detail is evoked
by Stoddard with great skill and inventiveness: one can almost
hear the boards creaking underfoot, or smell the dust and cobwebs
in the abandoned rooms, or feel the strange tropic atmosphere in
the great chambers where the Tigers of Naleewuath live.
Unfortunately, this very skill works against the story to some
extent. The house, for all its extravagance, is an extremely solid
creation. Even the most fantastic of Stoddard's inventions exist
within literal rooms or hallways or attics. This concreteness
makes it a bit difficult to connect the physical Evenmere of the
characters' experience with the cosmic significance the House is
meant to have. Part of the problem, perhaps, is that the big
question -- What Does It All Mean? -- is never really answered. It's
certainly true, as Stoddard has his characters say, that one
doesn't have to know everything; but the story raises too many
questions to leave them all so open. "What is High House?" the
characters ask each other, throughout the book. A mathematical
construct of the universe? A symbol? A map? Something else?
Each time, they conclude that they just don't know. By the third
or fourth repetition, one begins to suspect that perhaps it's not
only the characters, but the author who isn't sure.
Still, though these questions nagged at me, they didn't detract
from my enjoyment of the novel. The High House is a
strongly-written, swiftly-paced adventure, thoroughly entertaining
overall. Beside the master fantasists to which it pays tribute, it
stands up very well.
Victoria Strauss is a novelist, and a lifelong reader of fantasy and science fiction. Her most recent fantasy novel, The Arm of the Stone, is currently available from Avon Eos. For an excerpt, visit her website. |
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